Chris Harrington "You the Provider"
By Peter A. Holden
Wednesday. Aug 10, 12:01 AM
Real development and accomplishment, just, takes, time.

For some odd reason, there exists a paradox in mass media/popular culture. Progress and its more aggressive but rarely seen cousin, achievement, are under constant pressure. We tend to expect leaps and bounds in weeks and days as opposed to months and years. And as time passes, the pace seems to quicken. But if we stop and think, what kind of honesty and incredible development can really be achieved in such a short period of time? Not much, really. This might explain why we often see people pouring their hearts out these days and think “nice gimmick.” Our humanity begs for patience in all things where virtue is expected. And yet, we still want the “next big thing” to eclipse the last “next big thing” even faster and even better than before. Silly, really.

Chris Harrington’s sophomore album, You the Provider, is a fully matured work anywhere between three and five years in the making. After receiving critical acclaim for his first album, Starter, across much of the Midwest and beyond in 2000, Chris’ father became very ill and for the next five years he tended only to family concerns. Music trailed alongside and reaped the benefits of a tragic situation. While his family was experiencing pain, his abilities were given the luxury of a slow maturity. The natural course of time and emotionally powerful events gave rise to a well-developed set of material. About the only thing that You the Provider lacks in enormity and strength is a power ballad. Keep in mind that “lacking” is quite often a good thing. There’s no room for a power ballad here: it would simply be out of place. Songs like “Egg Whites in Candlelight” and “Sympathetic Morning” accomplish in their beauty what “Every Rose Has its Thorn” never could. Chris’ message beams through.

Although one might assume that an album written during and after the death of one’s father would be a somber one, You the Provider is a powerfully beautiful pop record in many ways. Left to the devices of the best of us, anger and frustration and sadness might reign. But here, Mr. Harrington shines brightly. In fact, this is a positive, upbeat album that is a testament to his honest reflection about his relationship with his father. One gets the impression from the music that it was a strong and positive one that really came into its own after his ordeal with his father’s illness. Chris Harrington has done a fantastic job of conveying his prowess as a musician, his creativity as a writer, and his strength as a loving, learning son. But most of all, he’s a proven example of genuine development as a human artist. In the time it took him to release two albums, pop culture would have expected four. Real development and accomplishment, just, takes, time.
www.chrisharrington.com

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Peter A. Holden

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