
(read an interview with bassist Jon Robert Mjåland here)
Absolutely astonishing how Extol continue to outdo both themselves and their peers, despite numerous line-up changes and their tireless, ambitious vision of musical progression. The fact that the band overcomes all obstacles to achieve one flawless album after another puts the rest of the death / black / prog metal hordes to shame. Perhaps Extol and Opeth will usher in a new era for the art form last heralded by the Roadrunner greats (Cynic, Atheist, Believer, Pestilence)? I sure as hell hope so.
The Blueprint Dives sees the return of former bassist / guitarist (yes, he was both at one time or another) Tor Magne Glidje, as well as the introduction of new guitarist Ole Halvard Sveen. Their input can be instantly felt, as the dazzling intricacies of Synergy are replaced with thick dissonant chords (that are melodically skewed) on the new songs. Instead of weaving elaborate labyrinths with every instrument, this time around the band concentrate on left-of-center time signatures coupled with irregular vocal melodies. Vocalist Peter Espevoll has come a long way since his death growling days of Undeceived: his clean singing serves as a guiding light throughout the jack hammering of syncopated off-time chugs, hooking you in while madness surrounds you.
While no one can argue that Extol lost some of their identity when founding guitarist Christer Espevoll and prodigy guitarist/backup vocalist Ole Børud quit, The Blueprint Dives proves that the band have actually written even catchier songs without their former comrades. And not at the cost of their trademark intelligence, progressiveness, technicality, and emotive powers, either. Extol might have reevaluated their approach, but the outcome is still elegant, top-tiered metal. This is what the future sounds like.
www.undeceived.net
www.centurymedia.com
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Tim Den