
To say that I can’t say enough about Sleepytime Gorilla Museum would be pretty correct in its implication of admiration, but when it comes to actually saying something about them… it becomes difficult. Their live show is almost universally recommended, but when pressed for a description, people usually reply with, “Well, you just have to see it.”
But the Web Of Mimicry association is a pretty good place to start. SGM fit into the Bay Area tradition of fringe heavy metal types with an obvious love for avant garde classical, John Zorn, and apocalyptic themes. Of Natural History follows up the band’s first effort, Grand Opening and Closing, with the same kind of quasi-industrial, jerky dynamics, and Nils Frykdahl’s dramatic vocals (which, thanks to the rise of South Park, are unavoidably reminiscent of Trey Parker).
Like their peers, SLG can be pretty hammy, from the 18th century-style costumes to the dramatic themes, but musically, Of Natural History is compelling enough to overpower the gimmickry. Their homemade instruments (one great reason to see them live) are surprisingly musical and go beyond auxiliary texture to serve as an essential element of the band’s sound. “Phthisis” explodes with tribal rhythms over violinist Carla Kihlstedt’s Bjork-like vocals, and the whole layered mess of whatever stringed things they’re hammering comes full force on “Babydoctor,” providing two of the most satisfying moments on the record. Thanks to my inherent disdain for all things overly fantastic and melodramatic, I’m not as appreciative of the more tongue in cheek tracks, i.e. “A Hymn to the Morning Star” and “Cockroach,” although the latter is second-funniest musical treatment of that pest I’ve heard. If it’s your bag, though, SLG do a helluva job. Fans of Zorn and Mr. Bungle will not be disappointed.
www.sleepytimegorillamuseum.com
www.webofmimicry.com
Dave Schutz